A Poem (And A Photograph)

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NICOLAS

My five-year-old brother hands me my mail,
Happy Birthday, he says while smiling
content to be eating pretzels and peanut butter
before dinner. I flip through the stack
of unopened bank statements.
Nicolas has decided that uncooked pasta
is worth trying. He offers me some.
No, thank you. I’m not hungry, I say.
He reaches for the sugar bowl, the teapot,
the clock: they are companions, belong together.

He thinks of home. Mama? Papa? he asks.
I explain they are near, at The Mermaid Inn.
I distract him by changing a light bulb.
We agree the kitchen is too bright.

And, later, when asked by our father
the child says, yes, in fact he would
like to thank god for something:

cupcakes.

Sherisse Alvarez

A Poem (And A Photograph)

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Waiting

New York, like my heart, is desolate since you left
and the presence of yesterday remains encrusted
to the lining of my lungs.

You’re not here and I can’t think of much else
or find solace in the corners bent on hiding
the face of hope from my face.

I cant stand being inside this skin
you’ve not caressed in an eternity of loss.
I’ve tried escaping through the surface cracks.

Waiting is a foreign game I never learned to play
and yet, waiting seems to be the only way to get
to where love patiently awaits.

When I Look At Manhattan. . .

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From a work in progress currently titled From Mountain Road to Easy Street, a brief passage:

I walked towards my neighborhood up the Fourteenth Street Viaduct, its steep angle rising towards Union City matching the increasing elevating effect the pot had on my mood, as I walked on. When I reached the traffic light at the top of the bridge I turned around to look at the island of Manhattan below me, the live version of a black and white photograph from the nineteen fifties, taken around the time I was born, pressed into my memory. The skyline had grown new skyscrapers since I had arrived, like the newer trees in a jungle, they had sprouted, changing the outline but the basic premise remained. She was lit up from the edge of the water to the highest penthouse, permanently awake, as alluring still as the first time I had seen her. On this night, my existence, with all of the unconquerable problems it owned, was dwarfed by the magnitude of the man-made landscape before me. . .

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I took the photos of the New York skyline on the slideshow above over the last few years. These are just a few of the hundreds of images I’ve taken since arriving in Hudson County, New Jersey, in 1970. It’s impossible to ignore the view when you’re on this side of the Hudson. To some of us who, as kids, imagined living here, it’s the physical manifestation of dreams realized.

A Book’s Second Act

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From TreeHugger:

Even if electronic readers do usurp the reign of the paper-based book, low-tech tomes can still live on as art. We’ve seen them carved into breathtaking landscapes, recycled as lighting, and even reincarnated as fairytale haute couture, but for Swiss artist Valérie Buess, books are tentacled sea organisms that she brings to life by hand.

(c) Valérie Buess

 There’s more. . .

World Photography Day

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was yesterday, August 19th. I read about it on Flickr. The folks there suggested taking a photo on this day and sharing it with the tag worldphotographyday. I missed the big extravaganza. So this morning I checked my phone—which is the only way I take photos these days—and found only one from yesterday. I titled it “Going Places. It All Adds Up.” I heard the voice of David Lee Roth when I was thinking of a title, but I wanted to keep it classy.

So this is my official entry. I hope to do better next year.

To find out more about World Photography Day visit their page. The Flickr collection is here.